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Bonsai Art

Posted by mcro on Mar 12, 2011 in Uncategorized

Ficus ginseng

Bonsai is an art by which trees such as the ficus ginseng bonsai tree are grown and matured in miniature form that can be cared for easily both indoors and outdoors .

Bonsai literally means “Tree in a tray” and was an art reserved for the elites of Japan centuries ago. The Art of Bonsai as we know it today originated with the Chinese culture where ‘Penzai’ was the word for it. Bonsai began in China about a thousand years ago and was introduced to Western culture in the Twentieth Century.

These trees displayed gnarled trunks and little foliage. As this art slowly developed, it passed from China to Japan during the Kamakura period and was taken up by monks as a hobby to display in their monasteries. With the passage of time this art began to refine and caught the interest of the Japanese elite. They adapted this art and it became their favorite past-time and also a show of their status.

The Art of Bonsai continued to refine itself and reached very high levels. The miniature trees no longer lacked foliage but seemed like real trees reduced to miniature size by some act of magic. The similarity was so incredible that Bonsai trees became a symbol of Japanese art and were proudly displayed in the mansions of the rich.

The trees were displayed during festivals to show superiority of art and skill and slowly began to grow more popular among the general public. The world opened up to the Japanese art of Bonsai and quickly became popular. Exhibitions were held and bonsai trees were displayed to the astonished crowds. Exporting bonsai trees became an industry that is still extremely strong today.

The ficus ginseng bonsai tree, recognized by its distinctive root shape and trunk, can be displayed  indoors or outdoors. It is one of the most hardy species of Bonsai trees. It is the perfect Bonsai tree for those looking for low upkeep but high reward.

 

 
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400 Year-Old Bonsai Tree

Posted by mcro on Aug 21, 2010 in Uncategorized
400-Year-Old Bonsai Survived Hiroshima Bombing
Zulima Palacio | Washington 03 August 2010

 

Photo: M. Kornely, VOA

 

Bonsai tree in U.S. National Arboretum
If this tree could talk, it would have a lot to say.  In its nearly 400 years of life it has seen more than one war.

 

“It is a survivor.  It was actually in Hiroshima when the atomic bomb was dropped,” said Jack Sustic, the Curator at the National Bonsai & Penjing Museum in Washington.  He says the tree came to the U.S. in 1976, to celebrate the U.S. bi-centennial, as a gift of 53 bonsai from Japan,

 

“This is a Japanese white pine; it was part of the original donation.  It was in one family, the Yamaki family for 6 generations before they donated it.  It was started as a Bonsai in 1625,” Sustic said pointing to the tree.

 

Sustic says the Yamaki family had a Bonsai nursery and this was one of their signature trees.  Six generations of the family took care of the tree in Japan and so far four curators in the U.S. have cared for it.

 

“Mr. Yamaki the original donator, came 4 or 5 years after they donated it.  It’s an interesting story because he was here looking at the tree and he began con cry and the curator at the time got a little uneasy and a little nervous so he asked the translator to make sure everything was O.K., so the translator asked him, is everything O.K.? and he said yes the tree is happy here, that’s why I am crying,” he said.

 

Sustic says taking care of the trees is an honor and a joy – but also a great responsibility.   What would he do if something happened to them? “I don’t even want to think about it.  But I have a suitcase at home that is packed.  If anything ever happens to this I don’t think anybody would be able to find me,” he said.

 

The bonsai donation started this collection, the largest in North America, at the U.S. National Arboretum. The collection now has almost 300 trees, divided among three pavilions for the Japanese, Chinese and American bonsai.

 

“Bonsai literally means tree in a pot.   But you can look around in the collection and see that is much more than just sticking a tree in a pot.  It’s an art also, is a living art,” Sustic said.

 

One of the most famous bonsai of the collection is this 57-year-old Juniper forest created by John Naka, considered the father of North American Bonsai. He planted one tree for every one of his grandchildren. “The work on the tree never ends because it is a living art.  It’s the pruning technique that keeps it small,” Sustic said.

 

The art of the Bonsai demands great care and patience, carried out here by a small staff and 15 volunteers.  The trees continue growing, so they have to be trimmed once or twice a year, and  re-potted every couple of years.  Some of the trees are particularly sensitive, like this one.

 

“It doesn’t like the oil from your fingers and it doesn’t like to be rubbed or anything like that, so whenever that happen, the tips turn brown, so I have to go in and remove the brown,” Sustic said.

 

The Bonsai collection is priceless.  Every tree is unique and the average age is around 100-years-old – which means several generations have cared for them.   Bonsai trees bloom, give fruits and change colors in the fall.  Sustic says he and his family eat apples from one of his 30 bonsai at home.

 

“One interesting aspect is that fruit and flowers will not reduce in size,” Sustic said.

 

From its beginnings in China more than 1,000 years ago, the art of the Bonsai was only a pastime of the elite for many centuries  In the U.S., it has grown in popularity mostly due to the support of the National Bonsai Foundation.  Johann Klodsen is the foundation’s director, and like others close to the collection, she says there is more to the bonsai than simply what one sees. “Standing like in any work of art before a great piece of art, it becomes a conversation between the work of art and the individual and that conversation takes on a spiritual dimension,” she said.

 

“If you do Bonsai, it begins to change you as a person I believe.  It makes you a better person.  It teaches you patience and reverence.  It certainly has made me a better person,” she said.

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